From the series 'Botanical', a small showcase of plants at Kew Gardens, London – which houses the largest and most diverse botanical collection in the world.
We grow
We are alone
We weave
We got lost
We like the urban jungle.
We like nature
We are planning another hiking trip. This photo is from our last one in the beautiful Peak District, northern England.
We need more storage space
We stand strong
We are olympians.
We relax
Horizon is a series of photographs of the serene clear sky and horizon above the Aegean Sea of Greece during sunset hours, transformed into a set of colorful abstract gradients.
We are high.
View from New York’s fantastic High Line. You can also Follow us on Instagram
We need space
We stand together
A cute couple of sheep at lunch. Photographed at ‘Stannage Edge’ in England’s beautiful Peak District. Get a print here
We take a different view
Looking up at the famous Guggenheim Museum in NYC. Follow us on Instagram
We sparkle
Soho House Berlin. Follow us now on Instagram
We float
Mediaspree, Berlin. Photographed by Tom Radenz. Follow us also on Instagram.
We feel perplexed
From the series Intersection. Follow us now also on Instagram
We play rock, paper, scissors.
Photographed in England’s Peak District
We are small
The amazing Turbine Hall of the Tate Modern Museum, London. Photographed by Tom Radenz
M
We like Italy
The beautiful Italian coastline near Portovene, Italy.
You can also follow us now on Instagram
We climb
This is what we call a sky garden – the amazing Guinigi Tower in Lucca, Tuscany, Italy. Follow us now Instagram :)
We stand out
This little guy is part of a magnificent rock formation at ‘Meteora’ in central Greece. For more, visit tomradenz.com
We dance
From our photo series: ‘Dance‘
This photo series captures dancers performing in the Turbine Hall of the Tate Modern Museum in London. The slow exposure of the photographs intends to reveal the flow of the dancer’s movement and at the same time abstract the image, bringing into focus the dance rather than the dancers themselves.
We are coming out of our shell
We hang around
We are looking up
We want to cross
Wallflower
We got a bit lost.
We are together
Miyoko Ihara /// Photo series of the bond between a grandmother and her odd-eyed white cat
We spin
We are beautiful
It’s a scene etched in many a movie goers mind – actress Mena Suvari rolling around in a room full of rose petals in Kevin Spacey’s “American Beauty” dream.
Photographer Carey Fruth has made her own interpretation of this scene with her “American Beauty” image series. In it, women of all shapes and sizes which shows women of all shapes and sizes lying on a bed of flowers. Fruth wants to retake that quintessential male fantasy and use it to empower women of all colors, ages and sizes to be happy about their bodies:
“By stepping into a fantasy dream girl world and by letting go of that fear, they free themselves up to direct that energy they once wasted on telling themselves that they weren’t good enough to elsewhere in their life,” Fruth said. (via artfido)
Panoramic View
An old residential building is seen surrounded by a newly-built ring viaduct, in Guangzhou, Guangdong province, China, June 18, 2015. The building was planned to be demolished, but several units in the building refused to move out as they couldn’t reach a compensation agreement with the authority, local media reported. Picture via REUTERS/Ma Qiang/Southern Metropolis Daily
We are going in circles
We are trapped
Meshology by Dimitri Daniloff & Sven Hauth
French photographer Dimitri Daniloff and German CG artist Sven Hauth worked in collaboration to create this series of photo manipulations entitled “Meshology”.
We are getting married
We are off getting married on the beautiful Greek island of Sifnos. See you in 3 weeks :)
Photographs by Tom Radenz
We found another planet
Hang Son Doong in Vietnam is the largest cave on Earth. Located near the border between Laos and Vietnam, this behemoth is approximately 9km (5.6 miles) long and contains its own large, flowing river.
The largest chamber in this single cave runs for 5km (3.1 miles), is 200m (656ft) high and 150m (492ft) wide, and contains some of the tallest stalagmites in the world – up to 70m tall (229ft).
Photographs by Ryan Deboodt, John Spies, Patrick Murray, Dinh Anh Cuong Nguyen, and Mike Rowbottom
We see 3D
We go big
Meet the biggest photograph ever taken – capturing Mount Blanc at a height of 3500m, by Italian photographer Filippo Blengini who stitched 70.000 individual photographs into a single 365 Gigapixel image, 46 Terabytes in file size. View the image HERE and zoom in to explore the incredible detail.
We tape
Flower Power
Luoping Rape Flower Fields, Yunnan Province, China / photographed by +Lanzi These sparkling images, that look more like a golden ocean, are of yellow rapeseed flowers, also known as canola, attract thousands of tourists every year (during the blossoming season) to Luoping, a small county in eastern China.
We are city dwellers
In a surreal blend of day and night, Budapest-based photographer Bence Bakonyi’s series “Urbanite” features vast cityscapes seemingly devoid of people. Shot in Hong Kong and Shanghai, the series presents settings in which the presence of humanity is eerily close, as though the population had suddenly fled, leaving lights on and laundry on the line.Bakonyi’s artist statement describes the series’ intended effect upon its audience; “The ‘Urbanite’ series is an account of how the artist found his home in the unknown. We can see the city as it is presented by the photographer, but also the artist who is in turn brought closer to us by China.” (text via fstoppers.com)
We are coloured
Humanae by Angelica Dass
Words from the photographer:
Humanæ is a chromatic inventory, a project that reflects on the colors beyond the borders of our codes by referencing the PANTONE® color scheme.
The project development is based on a series of portraits whose background is dyed with the exact Pantone® tone extracted from a sample of 11×11 pixels of the portrayed´s face. The project’s objective is to record and catalog all possible human skin tones.
Humanæ it’s a pursuit for highlighting our subtle-continuous of our tones that make more equality than difference… our true colors, rather than the untrue Red and Yellow, Black and White. It is a kind of game for subverting our codes. The audience is free to read into it. The ultimate goal is to provoke and bring currently using internet as a discussion platform on ethnic identity, creating images that lead us to match us independent from factors such as nationality, origin, economic status, age or aesthetic standards.
We hang out together
We are amused
Cony Island amusement park, Brooklyn, New York City by Franck Bohbot
Bohbot’s series, entitled “Last Stop — Coney Island” transforms the seedy New York amusement park into a placid landscape of washed out pastels and muted dreams. Through Bohbot’s lens, the park morphs into a hazy limbo trapped somewhere between a child’s idealised version of the adventure park and an adult’s far more jaded perspective. The eerie yet beautiful landscapes conjure the opposite feeling of actually being at the crowded, sweat-filled pier, and that’s exactly why they have us so entranced.
Veiled Mystery
From the series: ‘Veiled Mystery of Morocco” (1974) by Irving Penn
American photographer Irving Penn (1917 – 2009) is widely known for his fashion, portrait, and still life images, but he also pursued numerous opportunities to photograph the indigenous people of Africa, Latin America and Melanesia.
In 1948 Penn went to Cuzco, a small town in the centre of the Peruvian Andes, to photograph its inhabitants. Photographing with northern light, Penn posed his sitters in manners that emphasized the texture and form of their garments and presented them with honesty through the strength of their expressions. Despite the cultural gulf that separated photographer and subject, Penn’s portraits stand as sensitive and intimate records.
In the years following his work in Cuzco, Penn continued to travel the globe with the curiosity of an anthropologist and the eye of an artist. He would design and build a portable studio for his travel into isolated areas. In 1967, he landed in Dahomey, a region now part of Benin. With his tent studio in tow, Penn installed his set throughout the country, documenting the pride and splendour of its many tribes. Two years later, he travelled to Cameroon to photograph the Kirdi, a Sudanese speaking ethnic minority from the north. In the solitude of his portable studio, Penn made visual records of a people imbued with inner peace and spiritual gravity.
During his travels, Penn produced some of his best photographs in 1970 in the highlands of New Guinea. In this mountainous territory, he made majestic portraits of villagers elaborately deco¬rated with a body art unique to the region. A year later, Penn carried out his final trip of this kind to Morocco, a place both familiar and mysterious to him, to photograph the men and often veiled women of the Arabic tribes along the Atlas mountain range.
The power and elegance of these pictures, made into meticulous prints by the artist, reveal the affection Penn had for the spirit and traditions of these individuals and his deep respect for their respective cultures. (text via photography-now)
We could use a cabin
A Lake Cottage in Bolsover, Ontario, Canada by UUfie / photographed by Naho Kubota.
Words from the architects:
Lake Cottage is a reinterpretation of living in a tree house where nature is an integral part of the building. In a forest of birch and spruce trees along the Kawartha Lakes, the cottage is designed as a two storey, multi-uses space for a large family. The structure, composed of a 7m high A-frame pitch roof covered in black steel and charred cedar siding. A deep cut in the building volume creates a cantilever overhang for a protected outdoor terrace with mirrors to further give the illusion of the building containing the forest inside.
Fourteen openings in the main living space reveal both inhabited spaces, skies and trees. The abstract nature of the interior spaces allows the imagination to flow, and those spaces that could be identified as a domestic interior can suddenly become play spaces. A solid timber staircase leads to a loft which gives the feeling of ascending into tree canopies as sunlight softy falls on a wall covered in shingles stained in light blue.
Using local materials and traditional construction methods, the cottage incorporated sustainable principles. The black wood cladding of the exterior is a technique of charring cedar that acts as a natural agent against termite and fire. Thick walls and roof provide high insulation value, a central wood hearth provides heat, deep recessed windows and operable skylights provide ventilation and diffused natural light.
Its friday
A hover-cat…now we have seen everything!